Monday, 18 January 2016
Young British Artists
The Bauhaus
Gropius called for the school to show a new respect for craft and technique in all artistic media and suggested a return to attitudes to art and craft once characteristics of the medieval age, before art and manufacturing had drifted apart.
Gropius envisioned the Bauhaus encompassing the totality of all artistic media, including fine art, industrial design, graphic design, typography, interior design and architecture.
Lyonel Feininger (Illustrator), Walter Gropius (Author) manifesto and programme of the state Bauhaus, 1919.
This is woodcut by Lyonel Feininger. It shows a cathedral with a tower whose tip is surrounded by three stars, standing for the three arts of painting, sculpture and architecture, with the rays from them interlaced symbolically.
Paul Klee
Klee was a German water colourist, painter and etcher of fantastic works, mostly small in scale, and is one of the most inventive artists of the 20th Century.
He taught his theory of design in a component of the preliminary course. He supervised the bookbinding, glass painting and weaving workshops at various times at the Bauhaus. Some of his work includes:
Cat and Bird 1928
Senecio 1922
Wassily Kandinsky
Kandinsky was a Russian painter,wood engraver, lithographer, teacher and theorist and also a pioneer of abstract art.
He viewed music as the most transcendent form of non objective art - musicians could evoke images in listeners' minds merely with sounds. He strove to produce similarly object free, spiritually rich paintings that alluded to sounds and emotions through a unity of sensation. Kandinsky sought to convey profound spiritually and the depth of human emotion through a universal visual language of abstract forms and colours that transcended cultural and physical boundaries.
Some of his work:
Squares with Concentric Circles, 1913
Composition VIII, 1923
Conceptual Art
Smithson was an American artist, famous for his use of photography for his sculptures and land art. He exhibited in many galleries around the world including the Galleria George Lester in Rome, Italy, the John Weber Gallery in New York.
His early exhibited artworks were collage works influenced by "homoerotic drawings and clippings from beefcake magazines", science fiction, and early Pop Art.
In 1967 Smithson began exploring industrial areas around New Jersey and was fascinated by the sight of dump trucks excavating tons of earth and rock that he described in an essay as the equivalents of the monuments of antiquity. This resulted in the series of 'non-sites' in which earth and rocks collected from a specific area are installed in the gallery as sculptures, often combined with mirrors or glass.
Spiral Jetty 1970
Broken Circle 1971
Amarillo Ramp 1973
Andrew Goldsworthy
Goldsworthy is a British sculptor, photographer and environmentalist producing site-specific sculpture and land art situated in natural and urban settings. The materials used in Andy Goldsworthy's art often include brightly coloured flowers, icicles, leaves, mud, pine cones, snow, stone, twigs, and thorns.
Goldsworthy produced a commissioned work for the entry courtyard of San Francisco's De Young Museum called "Drawn Stone", which echoes San Francisco's frequent earthquakes and their effects. His installation included a giant crack in the pavement that broke off into smaller cracks, and broken limestone, which could be used for benches. The smaller cracks were made with a hammer adding unpredictability to the work as he created it.
Autumn Cherry Leaves
Icicle Star, joined with saliva
Goose Feathers
Rowan Leaves & Hole
Richard Long
Long is an English sculptor and one of the best known British land artists. Several of his works were based around walks that he has made, and as well as land based natural sculpture, he uses the mediums of photography, text and maps of the landscape he has walked over.
In his work, often cited as a response to the environments he walked in, the landscape would be deliberately changed in some way, as in A Line Made by Walking (1967), and sometimes sculptures were made in the landscape from rocks or similar found materials and then photographed. Other pieces consist of photographs or maps of unaltered landscapes accompanied by texts detailing the location and time of the walk it indicates.
His piece Delabole Slate Circle, acquired from the Tate Modern in 1997, is a central piece in Bristol City Museum and Art Gallery.
Delabole Slate Circle
Small White Pebble Circles 1987
South Bank Circle 1991
White Water Falls 2012
Friday, 15 January 2016
Social Realism
Friday, 8 January 2016
Pop Art
Friday, 27 November 2015
Postmodernism
In his work Perry reflects upon his upbringing as a boy, his stepfather's anger and the absence of proper guidance about male conduct.Perry's understanding of the roles in his family is portrayed in Using My Family, from 1998, where a teddy bear provides affection, and the contemporaneous The Guardians, which depicts his mother and stepfather.
Much of Perry's work contains sexually explicit content. Some of his sexual imagery has been described as "obscene sadomasochistic sex scenes".He also has a reputation for depicting child abuse and yet there are no works depicting sexual child abuse although We've Found the Body of your Child, 2000 hints at emotional child abuse and child neglect. In other work he juxtaposes decorative clichés like flowers with weapons and war. Perry combines various techniques as a "guerrilla tactic", using the approachable medium of pottery to provoke thought.





























